Krissi Murison from NME interviews British band The Vaccines before the Mulberry Coachella party in Palm Springs.
Krissi Murison from NME interviews British band The Vaccines before the Mulberry Coachella party in Palm Springs.
Set Designer Andy Hillman created the fantastic world of melting ice-creams and giant candy sticks of rock for our Spring Summer 2012 campaign. He has worked with photographer Tim Walker on many campaigns and shoots, including features in Vogue. He often works with oversized props and with large scale set installations.
The oversized props for the campaign shoot are amazing! What was your starting point for their creation?
Thank you. I suppose the real starting point is the slight “wrong-ness” of the seaside, it’s a Victorian Circus of stripes, designs and colours which has been laminated with varying elements of the decades since. It’s not planned or designed, it’s just evolved. I think there’s lots of starting points amongst that lot if you look!
How long did it take to make a giant melting ice-cream cone or a stick of rock?
It took three weeks to create all the props for the shoot.

You’ve worked with Tim Walker numerous times now, how is it to work with him?
Haha, I know whatever I say here will cringe him out if he reads this. He is a pleasure to work with and for and easily one of the most creative and inspiring people I know.
How do you think English seasides and the eccentricities they come with compare with seasides around the world?
I think the British have the market sewn up for eccentrics and as a lot of them also enjoy the beach we must be beyond compare! I love British beaches but I prefer mine with dunes, cricket and picnics.

How did you get into the fantastical world of set design, and can you tell us about your most memorable designs or shoots?
I was lucky enough to understudy and assist an amazing designer for four years; it was a fantastic education into sets. Staying on the topic of the seaside and beaches, we once built a bathroom on a Sicilian Beach for a shoot which was supposed to be flooding as if you had left the tap on. It took three long days with the wind blowing sideways and sand clinging to everything. We dragged it to the water’s edge to allow the tide to roll back in and “flood” the set. We waited and waited as the sea crept nearer. Finally the second the first meaningful wave hit, the whole thing fell apart, or exploded, I’m not quite sure which!

It wasn’t until we started seeing lots of chocolate eggs pop up around the studio that we realised Easter is imminent!
We have been involved in the Fabergé Big Egg Hunt for the past couple of months, a London-based initiative conceived by the Elephant Family and Action for Children that saw 200 uniquely crafted eggs created by leading artists, designers, architects and jewellers.
We designed our egg to look like a classic egg and soldiers, a nostalgic take on the very English breakfast treat we enjoyed as children. For a few weeks the egg had pride of place in the window of our New Bond Street store, but over the Easter weekend you can see all the eggs in one place in the Covent Garden Piazza as part of the Grand Eggstravaganza.

Your name:
Yasmin Sewell, creative consultant and trend forecaster.
Where did we meet you?:
In your lovely Mulberry offices!
My earliest fashion memory is my mum making taffeta dresses with her Singer sewing machine in the 80′s – one of them was a one-shoulder number and it blew my mind.
My insider’s tip for next season? Printed puffer jackets – in fact anything voluminous on top is good.
To me, Mulberry stands for creativity and luxury, with a touch of British eccentricity.
The five things I can’t live without are my son, Knox Rocket, my Polly Push Lock bag, my vast collection of man-style shirts, Sky on Demand for when I miss my favourite TV shows and Alexandra Soveral’s ‘Sleepy Head’ oil.
It’s not just because I’m biased, but I do think London is the most exciting and innovative Fashion Week destination. It just always feels vibrant.
Hairy, scary (in a good way), fury, wild and brilliant – that’s how I would sum up Mulberry Autumn Winter 2012 show.

Katie Dailey, Shopping and Style Editor at TIME OUT London tells us why we should visit Brighton, the classic (but also eclectic) English seaside town and the setting for our Spring Summer 2012 campaign shoot.

Brighton, the free spirited San Francisco of the British coast, has always provided a bolt hole for the creative, the vegetarian, and the strange. Its brand of bawdy postcard fun- from its arcade jammed pier to its seafront ice-creameries- was founded on the notion of harmless laughs. And there’s still no finer place to find them.
Stay in the world’s first knitted bedroom
Local crafty type Kate Jenkins (aka Kate Cardigan) has knitted every last inch of the Do Knit Disturb suite in the Hotel Pelirocco, tucked right by the beach front. Bedside lamp, in-room telephone, seagull, curtains and even morning fry up come clacked together on Jenkins’s needles.
From £59 a night, www.hotelpelirocco.co.uk
Swim in the historic lido…
Before it’s bulldozed into penthouses. The grand old art deco building of the Saltdean Lido gives it the appearance of a handsome steam liner. Second only to the bone-chilling briny, this 1930s pool is the best place to take a swim in the area. Dip your toe in while you can, as residents are currently fighting the owner’s plans to develop it into flats.
Swim for £4, www.saltdean.info
Take a drink for the people
The Robin Hood pub was set up by local millionaire Martin Webb in 2004. It is unique in the UK in that every penny of profit goes straight to local charities- meaning each time you lift your glass, you’re doing a little bit for the people of Brighton.
www.peoplespubs.com
Get your rocks on
You really can’t go to Brighton without coming back with at least one tooth cracking stick of rock. But why settle for an off the peg candy stripe when you can go bespoke? Sandee’s, Brighton’s major rock maker, will manufacture you your own personalised batch- with any words you like.
250 sticks of personalised rock, £199, www.letteredrock.co.uk
Have a rhubarb and custard flavoured ice cream
Just off the beach front, Scoop and Crumb home make retro ice creams in nostalgic flavours like Rhubarb & Custard and Apple Crumble. They also dabble in special dairy editions like Oreo and Ginger, and towering knickerbockers in old fashion glasses. The sorbet striped parlour is co-owned by a Swede, meaning there’s also a lunch menu of gravadlax and rye. But we recommend loosening your belt and sticking to the ‘bockers.
From £4 for a knickerbocker, www.scoopandcrumb.com
Make friends with old Vera
The world’s first electric railway continues to trundle along Brighton’s seafront, linking the Pier at one end to Black Rock, for the Marina. Really only a brief walk, but it makes for a lovely trip. True locomotion nerds can join VERA- the friendly Volk’s Electric Railways Association, who have charged themselves with protecting the vintage railcars and its rickety old tracks.
£1.10 one way (60p for children) www.volkselectricrailway.co.uk
Observe a gerbil’s dinner party
It’s a museum, but not as you might know it. Edward Booth dedicated his life to collecting (and meticulously stuffing) birds, and his Natural History Museum houses his collection as well as many others- from woolly rhino fossils to mounted chaffinches in flight. The NHM specialises in Victoriana taxidermy, meaning brilliantly peculiar set ups in glass boxes- think stuffed gerbils captured mid-flow at a dinner party. The ‘exotic’ room is a particular draw- a kind of Brighton man’s Deyrolle, with a huge collection of butterflies. Allow a day.
Free entry, www.brighton-hove-rpml.org.uk
Get the cogs turning
Mechanical Memories recalls the simple charms of the gaming of yesteryear. It’s an old fashioned arcade on the boardwalk, stuffed with jangly old slot machines from the 1900s, horse racing games, one armed bandits- and evening some brilliantly chintzy old fortune telling and wish granting machines. Just don’t wish to be big.
Free entry, www.mechanicalmemoriesmuseum.co.uk
